Guernica, revisited

February 22, 2015
By Richard Vargas
Guernica, revisited (Winston-Salem, NC: Press 53, 2014).  (February 22, 2015)

Richard Vargas links Picasso's masterpiece about the bombing of civilians in the Spanish Civil War to current events. 

the child is lying face down in the dirt, barefoot. his pants
	are torn, exposing the backside of his leg, the skin’s surface
	dull with a layer of fine dust.  head turned to the side, half
	of the face is gone. hair is stiff, matted. he looks like a doll
	someone just threw away. the family gathers around their
	home where walls no longer stand and brick has been
	pulverized into grit and debris burying their loved ones,
	their belongings. a bed has been removed from the rubble;
	under an old sleeping bag are the bodies of an adult and
	two children. they look peaceful and asleep, huddled close
	together for warmth. but they are not sleeping. overhead,
	metallic raptors spread their wings with grace and ride
	the high desert winds with ease, their cyber-cameras survey
	the damage, send images half way around the globe where
	men in starched uniforms focus on their military-issue
	computer monitors, drink their morning coffee, take notes,
	and fill out reports.

	Picasso’s ghost walks
	among the carnage, weeping.
	there is no art here.

	Reprinted with the author’s permission from Richard Vargas, Guernica, revisited (Winston-Salem, NC: Press 53, 2014).
http://www.press53.com/bioRichardVargas.html
http://labloga.blogspot.com/2014/03/interview-with-poet-and-publisher.html

	Richard Vargas resides in Albuquerque, New Mexico, where he received his MFA in Creative Writing from the University of New Mexico in 2010. He edits and publishes The Mas Tequila Review, a bi-annual poetry journal dedicated to "Poetry for the rest of us."  http://www.richardvargaspoet.com/the-mas-tequila-review--where-to-buy--how-to-submit..html.
 


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